God's Gift to Women, with Louise Brooks, was released on this day in 1931. The film is a Pre-Code musical comedy whose musical numbers were cut and whose humor and suggestive scenes are largely tempered by the presence of star Frank Fay. He plays the Parisian descendant of a Don Juan who vows to stop philandering in order to win the hand of a virtuous young lady with a disapproving father. Louise Brooks plays one of a handful of women irresistibly drawn to Fay’s character. More about the film can be found on the Louise Brooks Society filmography page.
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| Frank Fay and Louise Brooks in God's Gift to Women |
Film Daily described the film as a “Merry French farce with amusing plot and deft comedy work by Frank Fay, fine feminine support and good direction.” Edward Churchill, writing in Motion Picture Herald, stated “Frank Fay is the whole show in this broadly sophisticated story of Parisian love and Parisian life. Fay has all the women in the world after him, so it seems, and they are all good-looking. In fact, some of them are very beautiful, and they seem to like Fay. . . . Jane Hinton hasn’t given the picture much of a story as far as the plot is concerned, but the situations are excellent. Jackson and Griffith have tossed in some rare gags and some excellent dialogue and the costume department at Warners has been busy. . . . Michael Curtiz has built a snappy, laughable and highly entertaining picture around Fay and the preview audience laughed plenty. Photography is good, settings are in perfect keeping with the vehicle and the sound is clear.”
The movie, indeed, belongs to Fay, who was a popular Broadway star of light comedies. Casting the not-quite leading man as a Casanova was a stretch, but his delivery is mildly amusing at times. The plot line is predictable, and there’s a twist in the final scenes. The San Francisco Chronicle thought “The picture is a bit of fluff, but it is amusing and is well produced.”
Harry Mines of the Los Angeles Daily Illustrated News thought “All the girls in the cast have the opportunity to wear beautiful clothes and look their vampiest. They are Laura LaPlante, Marguerite Livingston, Yola D’Avril, Louise Brooks, Joan Blondell, Ethelyn Claire and the Sisters ‘G’.” Not surprisingly, Jerry Hoffman of the Los Angeles Examiner considered the film little more than “album of Hollywood’s beautiful women.” Harry Evans of Life magazine quipped “These few amusing moments are the film’s total assets — unless you haven’t seen Louise Brooks, Joan Blondell and Yola D’Avril in their underwear.”
All were not so forgiving. Variety called God’s Gift to Women “no gift to audiences.” Richard Watts Jr. of the New York Herald Tribune called it a “thin farce.” Thonton Delehanty of the New York Post was less generous, “The humor is in the style of the hackneyed French farce, so hackneyed that it is paralyzingly awful.”
Unfortunately, the film was nowhere near a star turn for Brooks. And, her second consecutive supporting role left some critics surprised. As
with her small part in It Pays to Advertise, some, including W. Ward Marsh of the Cleveland Plain Dealer, could only wish…. “Louise Brooks (returning to the screen in a comparatively minor role)….”
Under its American title, documented screenings of the film took place in Canada, England, New Zealand, The Philippines, Sweden, and possibly Brazil and France. In the United States, the film was also promoted under the title O Presente de deus para as Mulheres (Portuguese-language press).
Elsewhere, God’s Gift to Women was shown under the title Dar boha k ženám (Czechoslovakia); Gotten Geschenk au die Frauen (Germany); Bóg dal za duzo kobiet (Poland); and Tantas veo… (Spain). The film was also shown in South Africa and the United Kingdom (England, Northern Ireland, Scotland, and Wales) under the title Too Many Women.
SOME THINGS ABOUT THE FILM YOU MAY NOT KNOW:
— The film was originally completed as a musical. Due to audience distaste for musicals, however, all the songs were cut in American prints. The complete film was released intact in other countries, where there was no such decline in popularity. Cut from the version released in the United States was a theme song sung by Frank Fay, then a major Broadway star. The theme song, which is heard over the credits, is underscored several times in the film. Also cut was an elaborate dance number by the Sisters “G” which appeared in the film during its nightclub sequence. The complete film was released intact outside the United States, but only the American print is known to have survived.
— During the film’s April,
1931 showing in New York City, star Frank Fay made a personal appearance
at the Strand Theater. (Fay was married at the time to Barbara Stanwyck).
— Leading lady Laura La Plante played Magnolia in the first film version of Show Boat (1929); Charles Winninger, who plays her father in God’s Gift to Women, would play Cap’n Andy Hawks in the 1936 version of Show Boat.
— Fay’s character enjoyed a different lover each night of the week. Brooks – “brunette, bad and bold” – was assigned Thursday night.
THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited.
